Fushimi Inari Taisha
Fushimi Inari Taisha
The Fujifilm X-Pro 1 is amongst the most exciting new cameras in recent months. It seems Fujifilm listened to the fans of the X100 and went back to the drawing board with a vengeance.
It’s quite large – nearly identical in size to the Leica M9 and won’t win any beauty contests. But if the sensor is as great as Fuji has stated, this could be a reasonable alternative for many photographers looking to have a backup to their DSLR and for some, replace the heft and size of DSLRs. DPreview has a preview online and has stated, “in terms of detail resolution the X-Pro 1 should punch above its weight based on pixel count alone – indeed Fujifilm is claiming it will out-resolve the full frame 21MP Canon EOS 5D Mark II”.
As my primary camera is the Canon 5D Mk II, I’m curious and slightly skeptical about this claim. Tests and reviews shall see. I won’t be dumping my bag of L’s and the 5D2 anytime soon, but a high quality, more portable supplement would be welcome.
It’s great to see Fujifilm release cameras more inline with the needs of experienced photographers. Their first three prime lenses are fast and are hopefully just the start of future lenses to be released. (something with 35mm FL would be nice and perhaps something wider than the 28mm equivalent they’re releasing). For someone looking at the Sony NEX-7 or similar mirrorless cameras, this could be a promising alternative. Let’s wait until the reviews start rolling in.
Canon needs to step up to the plate. The Canon Powershot G1 X ain’t gonna cut it.
Exciting times indeed.
There was this fantastic pulsing sculpture lit up and morphing into different colors. I put my camera down and set the timer for 8 seconds. You can barely see in this smaller version but there was a man sitting perfectly still by the base.
Canon 5D Mk II | Canon EF 35mm f/1.4L USM @ f/22 | 8 sec | ISO 100
‘Like a morning dream, life becomes more and more bright the longer we live, and the reason of everything appears more clear. What has puzzled us before seems less mysterious, and the crooked paths look straighter as we approach the end.’
- Jean Paul Richter
Photo taken on Seminyak Beach, Bali, Indonesia